Les Anarchistes | Kilburnlad | Film | Reviews

Les Anarchistes

I'm back to watching French films on Amazon Prime while I'm on my exercise bike. I've had a break while I watched Season 3 of Arrow, which quite frankly has started to become a bit too daft as they try to develop new plot lines. Everyone's turning into a superhero of sorts!

Anyway, back to Les Anarchistes. As the Guardian reviewer said, "…. a film that couldn’t be any more French if it tried." It opened the Canne's Critics Week in 2015. Set in Paris in 1899, Jean Albertini is a normal policeman who is taken aside by a superior and asked to infiltrate an anarchists' group. He gets himself a job at the nail factory, a hellish sort of place where the workers have plenty to grumble about, and where members of the group are employed. He strikes up a particular friendship with Elisée Mayer, after 'saving' him during a police raid, which itself was a set-up to enable Jean to prove his loyalty to the group.

Les Anarchistes

While Elisée clearly trusts Jean, other members of the group are less sure. Elisée seems not to be in the best of health, and his girlfriend, Judith, soon starts to develop an interest in Jean, feelings that Jean willingly reciprocates. We therefore have the classic dilemma of the infiltrator having split loyalties between his police role and his feelings for Judith.

The anarchists exploits become more and more daring, while Jean continues to feed intelligence to his superior. We see Jean becoming concerned as he is obliged to participate in criminality and at one point asks to be taken off the case, a request that is firmly rejected. The dichotomy has to come to an end and as you may imagine there isn't a clean solution.

I'm biased in liking French films and I found this one enjoyable in the sense that I could imagine the characterisations in the historical context. Tahar Rahim plays Jean. He has featured in two other films I've reviewed, Un Prophet and Grand Central, and I feel that there are certainly similarities between his roles in these films. Judith is played by Adèle Exarchopoulos, who featured in Blue is the Warmest Colour, the acclaimed story of a lesbian relationship. Both give convincing performances here.


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